Tatiana Parcero

Education

1992-1995 M.A. in the fields of Art Theory and Photography, New York University / International Center of Photography (NYU/ICP), New York.
1990-1992 “Experimental Photography” workshops with Oweena Fogarty and Nina Glaser, Universidad Autónoma Metropolitana, Mexico City; Joel Peter Witkin and Anthony Aziz, International Center of Photography (ICP), New York, NY, USA.
1986-1990 Bh.S in Psychology. Universidad Nacional Autónoma de Mexico (UNAM), Mexico City.
1985-1990 Taller de los Lunes, run by Pedro Meyer, Consejo Mexicano de Fotografia (CMF), Mexico City

Collections

Museum of Modern Art , New York, NY, USA
The Museum of Fine Arts, Houston, Texas, USA
The Museum of Latin American Art, (MoLAA ), Long Beach, CA, USA
Lowe Art Museum, University of Miami, Miami, FL, USA.
Museo de Arte Contemporáneo de Castilla y León (MUSAC)
Buhl Studio Inc., New York, NY, USA.
Instituto Nacional de Bellas Artes (INBA), Agusacalientes, Mexico.
Museo de Arte Moderno de Buenos Aires (MAMbA), Argentina.
Centro Damián Bayón de Santa Fé, Granada, Spain.
The Mexican Museum, San Francisco, CA, USA CAB.
Centro de Arte Caja Burgos, Spain Museo de Arte Moderno, Mexico City.
Miami Dade University Art Galleries, Kendall Campus, Miami. FL, USA.
Museo de Arte Contemporáneo de Puerto Rico, San Juan, Puerto Rico.
Museo de los Cerros, Mec, Quebrada de Huichaira, Jujuy, Argentina.
Milwaukee Institute of Art and Design, Milwuakee, WI, USA
Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA, USA
Davis Mueum, Wellesley College, Wellesley, MA, USA

Solo Exhibitions

2019 Nuevos Mundos, OEI (Organización de Estados Iberoamericanos para la Educación, La Ciencia y la Cultura), Buenos Aires, Argentina.
2017 Universus, New Work, Schneider Gallery, Chicago, IL, USA Universus, El más Acá, Buenos Aires, Argentina
2016 Cartographies, Tatiana Parcero, Miami International Airport.
2015 Universus, New Work, Centro Cultural Recoleta (CCR), Buenos Aires, Argentina.
2015 Tatiana Parcero, Universus, Dina Mitrani Gallery, Miami FL.
2015 Universus, jdc Fine Arts Gallery, San Diego, CA, USA
2014 Tatiana Parcero, Universus, MAF, Museo Archivo de la Fotografía, Mexico City.
2013 In Her Boudoir, Zadok Gallery, Art Wynwood, Miami, FL, USA
2011 Tatiana Parcero, espaivisor, VOLTA Art Fair, New York, NY, USA
2010 Memoirs of the Future, Bernice Steinbaum Gallery, Miami, FL.
2007 Tatiana Parcero New Work, Bernice Steinbaum Gallery, Miami, FL.
2006 Cartografía interior, Fotoamérica, Museo de Arte Contemporáneo de Chile, Quinta Normal, Santiago de Chile.
2005 Tatiana Parcero, Backlight Festival, 7th Trienal Internacional de Fotografía, Tampere Finlandia
2004 Cartografias, Festival Terre d’Images, Biarritz, France. Actos de Fé, Galeria Visor, Valencia, Spain.
2001 Nuevo Mundo, X Jornadas Fotograficas, Huesca, Spain.
1999 Nuevo Mundo, Galería Visor, Valencia, Spain.
1998 Nuevo Mundo, Centro Cultural Rojas, Buenos Aires, Argentina. Cartografía Interior, Primavera Fotográfica, Galería Ma. José Castellví, Barcelona, Spain.
1997 Cartografía Interior, Galería Raíces, Puerto Rico.
1996 Cartografía Interior, Instituto Politécnico Nacional, Centro Cultural J.T. Bodet, Mexico City.

Group Exhibitions

2019 8M, Collective Action by Women photographers on the day of International Women's Day, Cultural Center Simón I. Patiño, de Santa Cruz de la Sierra, Bolivia.
2017 Revolution and Ritual: The Photographs of Sara Castrejón, Graciela Iturbide and Tatiana Parcero, curated by Mary Mac Naughton, Scripps College, Ruth Chandler Williamson Gallery as part of the Pacífic Standard Time, LA, USA.
2017 Mirarme en tú ojos, organized by Máxima Luz & Faro Tláhuac, Chabacano & Zaragoza Subway Windows,CDMX
2017 Cartografía de la Memoria, Narrative by Women against feminicidal violence, Universidad Autónoma del Estado de Morelos, Cuernavaca, Mexico.
2016 El Museo de los Mundos Imaginarios, Centro Cultural Recoleta (CCR), Buenos Aires, Argentina.
2016 Pierce, Mark, Morph, Patricia and Phillip Frost Museum, Florida International University, Miami, FL, USA
2016 Caleidoscopio y rompecabezas. Latinoamérica en la colección MUSAC, Centro Atlántico de Arte Moderno-CAAM, Los Balcones 11, Palmas de Gran Canaria, Spain. Curated by Wendy Navarro Fernández.
2016 Diez años de la colección “Luz portátil”, Museo Archivo de la Fotografía (MAF), Mexico City.
2016 Mujeres x Mujeres, Encuentro Internacional de Mujeres en la Economía del Conocimiento y la Innovación, Mérida, Yucatán.
2015 Todo por ver, Foto Museo Cuatro Caminos (FM4C), Mexico City.
A 30 años del Sismo/Nuestro Terremoto, Museo Archivo de la Fotografía (MAF), Mexico City Luz portátil, Photoespaña, Instituto de México en Madrid, España.
Ayotzinapa 43+UNO, Galería Héctor García, Mexico City.
2014 El Museo de los Mundos Imaginarios, Museum of Contemporary Art, Mar del Plata (MAR) Argentina.
The Real Marvellous, Museum of Contemporary Art (MOT),Tokyo Japan.
2013 The Real Marvellous, Museum of Contemporary Art Castilla & León (MUSAC), Spain. Whiskey and Rye, The Night Club, one night exhibition, curated by Amalia Caputo, Miami, FL, USA
2012 101ed. Visual Arts National Salon Exhibition, Photography, Palais de Glas. Buenos Aires, Argentina.
Fotografía Argentina, Museo de los Cerros, Mec, Quebrada de Huichaira, Jujuy, Argentina. 2011 Barro del Paraíso, Contemporary Art and Popular Religiosity, Fundación OSDE, Curated by Juan Batalla, Buenos Aires, Argentina
Re-Framing the Feminine, Contemporary Photography by Women from the collection of Francie Bishop Good + David Horvitz. Curated by Dina Mitrani, Girl’s Club Collection, Fort Lauderdale, FL, USA
Mujeres detrás de la Lente: 100 años de Fotografía en México,1910-2010, Fotoseptiembre, El Cubo, Centro Cultural Tijuana (CECUT), Tijuana, México. Itinerant trough 2013.
Luz Portátil: Seize Photographes Mexicans à L’Honneur, Association Confluences, Festival Biarritz Amérique Latine, Biarritz, France
Eu me desdobro em Muitos: A Autorepresentação na fotografia contemporânea, FotoRio,CCBB, Rio de Janeiro, Brasil.
2010 Created and Found Maps—Exploration of Self and World, Houston Center of Photography (HCP), Houston, Texas, USA.
Changing the Focus, Latin American Photography 1990-2005, The Museum of Latin American Art (MoLAA) Long Beach, CA, USA.
2009 A Complex Weave: Women and Identity in Contemporary Art, curated by Dr. Martin Rosenberg, and Dr. J. Susan Isaacs, Professor of Art History, Towson Univeristy, The Stedman Gallery at Rutgers-Camden Center for the Arts, Rutgers, The State University of New Jersey.
Personal Culture: New Art from Latin Americans, Milwaukee Institute of Art and Design, WI, USA.
Conexiones, Contemporary Works by Mexican Artists, Mesa Contemporary Arts at Mesa Arts Center, Mesa, Arizona, USA.
2008 Through the Lens, Lowe Art Museum, University of Miami, Miami, FL, USA.
97th Visual Arts National Salon Exhibition, Photography, Palais de Glas. Buenos Aires, Argentina
2007 Three Latin American Artists: Body Mirror, Martha Schneider Gallery, Chicago, IL, USA.
Cardinal Points/Puntos Cardinales, A Survey of Contemporary Latino and Latin American Art from the Sprint Nextel Art Collection, Curated by Elizabeth Ferrer, Mid-America Arts Alliance, Kansas City, Missouri, USA.
In your Face, Bernice Steinbaum Gallery, Miami, FL USA.
Political Bodies, VI Encuentro Internacional del Instituto Hemisférico de Performance & Política, Centro Cultural Recoleta, Buenos Aires, Argentina.
Nuevo Arte: Colección Tequila Don Julio, The Mexican Museum, San Francisco, CA, USA.
2006 Works by Oscar Muñoz, Tatiana Parcero & Sono Osato, Monica Lorduy Gallery, Brooklyn NY, USA.
2005 Spells of Childhood, Backlight Festival, 7th International Photographic Triennial,Tampere Finland.
97th Visual Arts National Salon Exhibition, Fotografía,Palais de Glas. Buenos Aires, Argentina.
Interculturalidades project, Universidade Federal Fluminense, Niterói, Rio de Janeiro, Brasil. Backlight Festival, 7th International Photographic Triennial, Tampere Finland.
Help Wanted: Collaborations in Art // presented by Born Magazine & COCA –Center of Contemporary Art- Seattle, USA. Interactive Installation by Nikolai Cornell/ photographs by Tatiana Parcero
Weedee Peepo: Icons, Portraits y Gente, Galería de la Raza, San Francisco, CA, EUA. La Costilla Maldita, Centro Atlántico de Arte Moderno -CAAM- , Palmas de Gran Canaria, Spain.
2004 Assassins of the Mirror: The Body and the Writing, Walter Otero Gallery, San Juan, PR. Defining Moments: The Judy and Sidney Zuber Collection of Latin American Photography, Phoenix Art Museum, Phoenix, Arizona, USA.
2003 Mapas Abiertos, Latin American Photography 1991-2001, Fundación Telefónica, Madrid/ Palau de la Virreina, Barcelona, Spain. Traveling aroun Europe and Latinamerica. De lo que soy / Of what I am, Selfportraits of Women from Latinamerica and the Caribbean, Lehman College Art Gallery, Bronx, NY, USA.
Corpografías, Hipertextual Space from XlX Century, Museo Nacional de Arte (Munal), Mexico City
Fotografica, Latincollector Gallery, New York, NY
2002 Hot City, What’s New?, Daniel Azoulay Gallery, Miami, FL, USA
Photographic Memory, Galería de la Raza, San Francisco, CA, USA.
Picturing the Female Body, Latincollector Gallery, New York, NY, USA.
2001 Autorretrato, 131 Women Artists, Centro Cultural Borges Buenos Aires, Argentina.
2000 89 ed. National Visual Arts Exhibition, Photography, Palais de Glas. Buenos Aires, Argentina
Bordes Inasibles, Centro Cultural Cajastur, Palacio Revillagigedo, Gijón, Asturias; Instituto de América/Centro Damián Bayón de Santa Fé, Granada, Spain, among others.
1999 Arte Fotográfico del Museo de Arte Moderno, Museo de Arte Moderno de Buenos Aires, (MAMbA) Argentina.
Arte del Nuevo Medio: Doce Propuestas Electrónicas, Museo de Arte Contemporáneo de Puerto,Rico.
1998 El Cuerpo Aludido, Anatomías y Construcciones, México Siglos XVI.XX, Museo Nacional de Arte, Mexico.
1997 XXXII Encuentro Nacional de Arte Jóven, Instituto Nacional de Bellas Arte (INBA) / Consejo Nacional para la Cultura y las Artes (CNCA), Aguascalientes, Mexico.
VI Photography Biennial, Centro de la Imagen, Mexico City.
Figuring the Body, The Museum of Fine Arts, Houston, Texas, USA.
Territorios Singulares, Mexican Contemporary Photography, Canal de Isabel II, Madrid, Spain.
Young and Restless, The Museum of Modern Art (MoMA), New York, USA.
1996 Metáforas, Constructed Photogrpahy, Museo de Monterrey, Monterrey, Nuevo Leon, Mexico.
The Furor of Change, Pulse Art Gallery, Nueva York, NY, USA.
1995 Fact, Fiction and Truth, Contemporary Portraits, Lehman Collegue, The City University of New York, NY, USA.

Grants & Awards

2011-2014 Fellowship, National System of Art Creators, National Fund for Culture and the Arts (FONCA), Mexico. 2000 Grant, Fundación Antorchas, Buenos Aires, Argentina.
2011 1st Place, Photography Contest, Subte Vive, 14a ed., Metrovías, Buenos Aires, Argentina 2010 1st place, Art and Climate Change contest, Artes de México, Mexico City.
2008 2nd Award, National Visual Arts Exhibition, Photography, Palais de Glas. Buenos Aires, Argentina.
2007 Adquisition Award, Second Annual Juried Competition Awards at The Museum of Latin American Art (MoLAA) Long Beach, CA.
1997 Adquisition Award, XXXII Encuentro Nacional del Arte Joven, Instituto Nacional de Bellas Artes (INBA)/ Consejo Nacional para la Cultura y las Artes (CNCA), Aguascalientes, Mexico.
1995 Honourable Mention for the concept to the video Life Lines, International Festival of Erotic Video. Claustro de Sor Juana, Mexico City.
1992-1995 Schoolarship, Organization of American States (OAS), Mexico. Fellowship, National Fund for Culture and the Arts (FONCA), Mexico.
1989 1st. Place, University Photography Contest,UNAM, Mexico City.

Videography

2013 Corazón, Single Channel Digital photo assemble, 3 min, color.
2012 Red Drops, Single Channel Digital Video, 6 min, color, DVD.
2004 Life in a box, Two Channel Video, 5 min., Digital video/VHS.
1999 Diario de viaje(s), Single Channel Video, 15 min., Digital Video.
1996 Week 31, Single Channel Video, 15 min., Hi-8.
1995- Soul Territories, Video instalation, 4 channel, 6 min. each, Hi-8/VHS. Life Lines, Single Channel Video, 6 min. Hi-8 / 3/4”. Cycles, Single Channel Video, 6 min., VHS/Digital Video
1994 23 de Marzo, Single Channel Video, 6 min., VHS/Digital Video My Voices, Single Channel Video, 2 min., VHS/Digital Video
1993 Self-portrait, Single Channel Video, 2 min., VHS/Digital Video

Screenings

2013 Whiskey and Rye, The Night Club, one night exhibition, curated by Amalia Caputo, Miami, FL, USA
2004 Corporal Identity - Body Language: The Moving Image, Donnell Library 20 West 53rd Street, New York.
2002 Viology, Galería de la Raza, San Francisco, CA, USA.
2000 El Viaje, Videoart at the Museo Nacional de Bellas Artes, Buenos Aires, Argentina.
1997 Video Viewpoints series and Young and Restless exhibition, The Museum of Modern Art, Nueva York.
1996 Erase una vez... esta es la historia que... del Minimal al Cabaret: setentas-noventas, El Teatro Central, Sevilla; Centro Cultural ReÌna Sofia, Madrid; Centro Museo Extremeño e Iberoamericano de Arte Contemporáneo, Extremadura, Spain.
1995 Identidad, El video como espejo, Centro de la Imagen, Mexico City. II Festival de Video Erótico, Claustro de Sor Juana, Mexico City.
1994 Sangre de mi Sangre, Centro de la Imagen , Mexico City.

Books, Reviews & Catalogs

2015 Los nombres del aire, libro de Alberto Ruy Sánchez (Portada de Tatiana Parcero) Ed.BiblioFabbrica, Italia.
Ayotzinapa 43+UNO, Libro y video, Textos de Elena Poniatowska y Héctor Cortés Mandujano http://issuu.com/431538/docs/43_web, https://vimeo.com/128959126
2014 The Real Marvellous, Exhibition Catalogue), Ed. MOT, Museo de Arte Contemporáneo Contemporáneo de Tokyo, Japan.
LATIR, The Art of Giving Birth (Magazine) 01, Verano, 2014, Buenos Aires, Argentina.
2013 Teatro Colón Magazine (Cover) Año XVIII, No. 111, Noviembre-Diciembre, Prod. Edit. Vocacion, Cd. de Bs As
2012 Women behind the lens, 100 years of photography creation in Mexico 1910-2010, by Emma Cecilia García Krinsky, 300 pags, Ed. Dirección de Publicaciones, CONACULTA, México (Book) and Exhibition Catalogue of 40 pages, Ed. with Bancomer support, FONCA-CONACULTA & Arocena Museum, Torreón Coahuila, CECUT, Tijuana, BC & Nuevo León Fototeca, Mexico.
Escala (Magazine) from Aeroméxico, “Tatiana Parcero, El cuerpo en la foto”, Sept. 2012 El Universal “Un siglo de Mujeres detrás de la lente/ A Century of Women behind the lens”, El Universal Cultura por Sonia Sierra, 9 de Sept.,México.
Re-Framing the Feminine, Contemporary photography by women from the collection of Francie Bishop Good + David Horvitz, Curated by Dina Mitrani, Girl’s Club Collection, Fort Lauderdale, FL, USA Cien años fértiles, Mujeres detrás de la lente, otra mirada, por Adriana Malvido, No 112 Cuartoscuro Magazine.
Decir es desear, by Alberto Ruy Sánchez (Cover by Tatiana Parcero) Ed. Alfaguara, México.
Eu me desdobro em Muitos: A Autorepresentação na fotografia contemporânea (Exhibition Catalogue) FotoRio,CCBB, Rio de Janeiro, Brasil.
2011 La piel como superficie simbólica, Procesos de transculturación en el arte contemporáneo (Book) by Sandra Martínez, ed. Fondo de Cultura Económica, Madrid, España.
2010 Auto Focus,The Self-portrait in Contemporary Art, (Book) by Susan Bright, Ed.Thames and Hudson, UK.
Los Angeles Times, “Changing the Focus: Latin American Photography 1990-2005 at the Museum of Latin American Art” by Leah Ollman Art Review, February 26.
2009 The Miami Herald, “Photo exhibit deep,wide” by John Coppola, Visual Arts, July 19th, Miami, FL
Los Ojos del Tiempo, Imágenes de México, (Perpetual Journal),Vol. III, , Guadalajara, Mexico 2008 Cartografías, (Book) photographs by Tatiana Parcero, Text by José Luis Trueba Lara, ed by Artes de México and Luz Portátil, Mexico City.
Reforma, “Impulsan fotografía mexicana” (Newspaper), byYanireth Israde, October 28, Cultura, Mexico City
2007 IKF (International Kids Fund, Jackson Memorial Foundation), Latin American Art Auction, Cisneros Fontanals Art Foundation (Auction Catalogue) Miami, FL, USA Cardinal Points/Puntos Cardinales, A Survey of Contemporary Latino and Latin American Art from the Sprint Nextel Art Collection (Exhibition Catalogue), Mid-America Arts Alliance, Kansas City, Missouri,USA.
2006 L'aventure de la photo contemporaine de 1945 à nos jours (Relié) by Louis Mesplé, editions du Chêne, Paris Arte al Dia International,Tatiana Parcero Tono Rojo Reviews, No 114.
2005 Backlight Festival, 7th International Photographic Triennial (Exhibition Catalogue), Tampere Finland.
La Costilla Maldita, (Exhibition Catalogue) Centro Atlántico de Arte Moderno -CAAM-, Palmas de Gran Canaria, Spain.
2004 Cartier Foundation Magazine, Hands, (Magazine), Fundacion Cartier pour le Art Contemporain, Paris, France.
Assassins of the Mirror: The Body and the Writing (Exhibition Catalogue) essay by Dermis P. León, Walter Otero Gallery, San Juan,Puerto Rico.
Revista, Arts & Culture, “Tatiana Parcero, Cartographie intérieure”, mai juin, Biarritz, France.
Defining Moments: The Judy and Sidney Zuber Collection of Latin American Photography (Catalogue) Phoenix Art Museum, Phoenix, Arizona, USA.
Los Heraldos Negros (poetry book, Cover), by Cesar Vallejo, Cooper Canyon Press, USA.
2003 Mapas Abiertos, (Catalogue, Cover and Portfolio), Ed. Lunwerg, Spain.
The New York Times (WE) “Through her eyes only” by William Zimmer, Arts and Entertainment, Sunday April 13, New York.
Art Nexus, Reviews, De lo que soy / Of what I am, Lehman College Art Gallery, No. 49, Vol.2 2002 BLINK, 100 photographers, (Portfolio) Ed Phaidon, Lonon, England.
Reversible Monuments: an an anthology of contemporary Mexican poetry (Cover) edited by Mónica De la Torre & Michael Wiegers, Cooper Canyon Press.
2001 Autorretrato, 131 women artists, (Catalogue) Centro Cultural Borges Buenos Aires, Argentina.
2000 Bordes Inasibles (Catalogue), Centro Cultural Cajastur, Obra Social y Cultural, Asturias, España.
1999 Talking Visions: Multicultural Feminism in a Transnational Age, (Cover) Ella Shohat ed.,
The MIT Press & The New Museum of Contemporary Art, New York.
TIME, “Latin American Leaders for the New Millenium” Special Issue, mayo 24, vol.153, No. 20
1998 Domus, "Seen from a Distance", (Cover & portfolio) #808, October, Milan, Italy.
El Cuerpo Aludido, Anatomías y Construcciones, México Siglos XVI.XX, (Catalogue), Museo Nacional de Arte, Mexico City.
1997 ARTnews, “Havana Biennial” Reviews International by Carey Lovelace, Sept, Vol. 96, No.8.
Grand Street, (Cover), #61 “Navigation” by Octavio Zaya, Vol.16, No.1, Summer, Nueva York. VI Bienal de la Habana (Catalogue), Centro Wifredo Lam, La Habana, Cuba.
The New York Times “The Resurging Video, Reclaimed and Reoriented” by Roberta Smith, Feb. 21st. C 28.
Territorios Singulares (Catalogue), Mexican Contemporary Photography, Canal de Isabel II, Madrid, Spain.
Mujeres (Diary) ed. by Mujeres en Lucha por la Democracia, Mexico City.
Crónicas Fotográficas (Cultural Agenda), Ed. de Proyectos Culturales, Mexico City.=
1996 Metáforas (Catalogue), Museo de Monterrey, Monterrey, N.L., Mexico.
Reforma (Newspaper), “No solo para los ojos” by Marcela GarcÌa Machuca, September 26, Section D, Monterrey, N.L., Mexico.
Excelsior (Newspaper), “Tatiana Parcero abrió exposición”, September 21st., seccion B, Mexico City.
Reforma, “Construye Parcero su CartografÌa Interior” (Newspaper), by Leticia Sanchez, September 17st. Cultura, Mexico City.
Cartografía Interior (Catalogue), Instituto Politécnico Nacional, Centro Cultural J.T.B., Mexico City. Texts by: Mónica de la Torre; Armando Suárez Cobian.
Sacbé (Magazine) “Las Curas” by Luz Ma. Sepúlveda, No.6, Summer, Mexico City.
1995 Lapiz (Magazine), Mexican Photgraphy, “Miradas de Mujer”, by Manuel García, November, Spain.
The Riverdale Press, “Is a greater truth behind the mask?” by Marina Lakhman, Sept. 28, New York.
The New York Times (WC) , “Portraits That Use Absence As a Vehicle of Expression” by William Zimmer, Art, October 22, New York.
Harper’s Bazaar Mexico (Magazine), “Ojo de Mujer: El ojo experimental de Tatiana Parcero” by Daniela Becerra, Oct., 16 year, No.10. Mexico City.
Mujeres (Diary) Photographs; ed. by ‘Mujeres en Lucha por la Democracia, Mexico City.
1994 Encuentro Interamericano de Artistas Plasticos (Catálogo), Museo de las Artes, Guadalajara, Jalisco, Mexico.
Poliester (Revista),Reviews: “VI Photography Biennial”, por Magali Arreola, Verano, Mexico City.
1993 Estilo (Revista), “Un Rompe-Cabezas nada usual, fotografÌas de Tatiana Parcero” por Amalia Caputo, 4o Año, No.17 junio, Caracas, Venezuela.
Nuestros Niños: Herencia Mexicana (Libro), Fotografias, ed. por DIF, Mexico.