AIPAD Exhibitor 2025
Untitled Möbius, 2014
contemporary Art GALLERY & FINE ART DEALER
Untitled Möbius, 2014
Revolutionary Romanticism: A Collab, 2025
Revolutionary Romanticism presents a collection of previously unshared works from Jennifer Greenburg’s series A Substitute World. The image from which this exhibition takes its title, Revolutionary Romanticism: A Collab, 2025 is both playful and deadly serious. It pokes fun at the dialectic and attitudes of social media culture- collaborations between users- and it references a philosophy that seeks to terminate free speech and expression.
Read moreEl Arbol | The Tree, 1989
The invention of myth is an online survey of available works drawn from an evolved 35 year career of Luis González Palma. Artworks selected were were made between 1989 - 2021. The set samples from major movements and materials/processes but do not exhaust them. It also uses the arch of work to signal ongoing intention and foreshadows new directions.
Read moreThe gallery will present work by a core selection of represented artists, ranging from emerging to mid-career. The curated roster of contemporary artists draws out themes central to our platform.
Read morePresented together, the artwork of Thomas Kellner and Guillermo Srodek-Hart builds upon the tradition of topographical photography established by Hilla and Bernd Becher. Their black and white architectural photographs are a contemporary inquiry into how socio-economic prosperity built on the idea of industrialization is expressed.
Read moreAnnouncing our participation in PAC•LA’s inaugural Art Fair : Photo Forward LA
Read moreExhibition Dates: July 8 - August 27, 2022
EXHIBITION EXTENDED: Through October 8, 2022
The gallery exhibition REDUX will sample from personal favorites and recommended acquisitions by represented and affiliated artists.
Read moreExhibition Dates: May 21 - June 25, 2022
Artist’s Opening Reception:
Saturday, May 21 | 5:00 - 7:00 pm
Svalbard is a dramatic subject. Remote, not barren, the abundance of this arctic gateway paired by its proximity to Europe made Svalbard easy target for extraction. The islands were used as a base by whalers, who came in search of blubber; hunters who came for furs; and miners who came for coal. Ian van Coller’s work traces the legacy of human intervention in photographs that engage every aspect of the sublime.
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