contemporary Art GALLERY & FINE ART DEALER
Community Empowerment Center in Ferguson, in homage to Michael Brown, a telephone box invites visitors to leave him a message for his birthday.
Rashod Taylor’s work runs as cover story for the November 2024 issue of M le Magazine, the magazine of the French paper Le Monde- “In Ferguson, the bitter grapes of anger”.
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We, the Free is the final volume in a four chapter study The Invisible Yoke,
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Möbius by Luis González Palma
jdc Fine Art is pleased to announce appointment as primary US representative for the contemporary artist Luis González Palma. The established Latin American artist studies the gaze, the nature of humanity, and existence.
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Roxy by Jennifer Greenburg
Constructed Portraits will be on view in Digital Witness. This exhibition is LACMA's contribution to the Getty initiative PST : ART : Art & Science Collide. The exhibition traces the emergence of distinctive digital aesthetic strategies, relationships to realism, and storytelling.
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Rashod Taylor, Between Two Worlds
Rashod Taylor has more work acquired by MFAH and is also part of the permanent collections of the Smithsonian’s National Museum of African American History & Culture, The Library of Congress, Prints and Photographs Division, and The Nelson-Atkins Museum of Art.
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Matt Eich will exhibit and host a book signing at the Atlanta Center for Photography. We, the Free is the final chapter in a four-part study, The Invisible Yoke. The work was made over the course of 15 years, as the artist came of age, while the American superpower began a precipitous decline.
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Congratulations to Justyna Badach, whose work has been selected for inclusion in “Monumental.” Presented through the public spaces of The Photography Show presented by AIPAD.
Read moreThe two works, Vicki and Roxy, are from the artist’s ongoing Constructed Portraits series. They will be included in LACMA’s contribution to PST exhibition fall 2024.
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Feature acknowledges how the subtleties in Taylor’s work- gestures, objects, framing choices push our psychology, engagement, and emotion. Tabula rasa gaze, a banana peel, a flag, a divided portrait. The media itself symbolic- at its invention, Black Americans were yet enslaved.
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