jdc Fine Art Gallery joins AIPAD | The Association of International Photography Art Dealers with gratitude and respect.
Read moreIan van Coller Awarded Guggenheim Fellowship
We are elated to share news that Ian van Coller was just awarded a Guggenheim Fellowship for his ongoing series, Naturalists of the Long Now. This prestigious award is earmarked for established artists who "add to the educational, literary, artistic, and scientific power of this country [and provide] better international understanding."
Van Coller's work crosses disciplines and puts art into action. It speaks to the far reaches of time, collapses human history, and informs if not demands change and rethinking about the way our planet is evolving.
Read moreCollections Visit with SDMA
Art comes alive when you share it. This month we were proud to share the works in our personal collection with the San Diego Museum of Art's Gallery Collective. The Gallery Collective offers members special VIP access to Museum events and is a passport to happenings outside the box and in the greater San Diego Arts community.
Read moreIan van Coller at the MET
We’re excited to announce that the artist book, The Last Glacier, created by Bruce Crownover, Todd Anderson, and Ian Van Coller is now on display at the Metropolitan Museum of Art in New York City. The book was acquired by the Met in 2016, and is on view as part of Drawings and Prints: Selections from The MET Collection, in gallery 690, and is one of several pieces that address “…works by contemporary artists that deal with the environment, both natural and man-made, often in the face of rapidly shifting conditions.”
Read morePaul Turounet at MOCA Tucson
Estamos Buscando A
October 7 - December 31, 2017
Reception: Saturday, October 7
Members Preview: 7 – 8 pm | Public Reception: 8-9pm
Artist's Talk: Saturday, October 7 | 10 - 11 am Great Hall
Paul Turounet is interested in storytelling, perspective, and the space between places, emotions, or states; the tension in his work often emerges from the gaps exposed. Estamos Buscando A (We're Looking For) is a photo-driven installation that examines the psychology of the US|MX border. It is composed of recovered border wall, intimate portraits of migrants on metal plates that the Artist calls retablos, sand, dirt, and found objects such as backpacks and tire-drags.
Read moreVirtual View: Revolution & Ritual
Enjoy this virtual walkthrough of Revolution & Ritual at Scripp's College Ruth Chandler Williamson Gallery. The exhibition is part of the Getty Initiative Pacific Standard Time, and will be on view through January 7, 2018. An exhibition catalogue accompanied the exhibition, which juxtaposes and puts into dialogue three generations of female Mexican artists: Sara Castrejón, Graciela Iturbide and Tatiana Parcero.
jdc Interview with "Keep the Channel Open"
We are happy to share this interview with Director Jennifer DeCarlo and a San Diego-based podcast, Keep the Channel Open. The audio-document is one in a growing series of ongoing interviews lead by Mike Mike Sakasegawa. The podcast is fairly new, but proving a poignant and thoughtful contribution to the budding San Diego art scene.
MUSAC's Permanent Collection Expands Holdings of Tatiana Parcero
We are thrilled to share news that four more major works by Tatiana Parcero were accepted into the permanent collection of the Museo de Arte Contemporáneo de Castilla y León (MUSAC). Located in León, Spain MUSAC is dedicated to being "a museum of the present," and only collects work by a living generation of artists (1992 - 2012).
Read moreMatt Eich in MoCA Clevland "Constant as the Sun"
MoCA Cleveland selected ten artists or artist collectives, and features new and recent work that explores diverse approaches to portraying, building, and connecting community.
Read moreRevising History in UK's Black + White Photography Magazine
We are happy to share the following excerpt of an editorial by Susan Burnstine:
When Greenburg adorns herself in one of her many vintage outfits, she admits she feels glamorous. 'I am not a person with problems anymore. I become someone else - someone else who only exists in photographs. Yet, that person - that icon of a person - is something the photograph made up. She is someone without strife, someone without obstacles. We believe so deeply in the truth of "her" that we measure ourselves against what we think we see in the picture. And when we cannot measure up, we then begin to blame the times we live in. Some say, "Oh, people used to be more civilized back then." This is in fact not true. We revise our past, that includes inequality, racism, misogyny and numerous other hardships we conveniently forget.'
Look for copies of Black+White Photography Magazine at Barns & Noble, international magazine stands, or subscribe to the Digital Edition & read the full editorial today.
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